Time Traveling in Ancient Art and Culture


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Introduction

            Time Traveling in Ancient Art and Culture. Having the profession of an art historian can be very interesting. Throughout my career I have been able to study a variety of cultures throughout history.  Among my favorite travels was when I visited Ancient Egypt, I was able to see the construction of the great Sphinx of Giza. Time Traveling in Ancient Art and Culture. I met Queen Nefertiti, and so many wonderful people. I also enjoyed my time spent traveling to the Early Americas Civilization, during my travels in Early Americas I was able to visit the Mayan Civilization and see the Mayan Temples. 

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Time Traveling in Ancient Art and Culture. The artwork reveals the traditional worship inclination of the Yoruba people, and the blacksmiths – who were believd to create the artworks under the guidance of the god of Iron, Ogun, among other gods revered by the Yoruba people (Fowowe, 1984).

Conclusion

            From the time travel through ancient art culture from different societies, including ancient Egypt, ancient Africa and early America, it was clear that different artworks identify the beliefs, and the culture of the different groups. The purpose of an artwork identifies the underlying beliefs and principles among the people of the given culture. The Individuals or the groups behind the creation of art potray the universal beliefs and societal expectations from the given civilization. Time Traveling in Ancient Art and Culture. The method used to create the artwork depicts the technological advancement of the time, and the meaning attached to different artworks, expressing the underlying beliefs of the artists as well as their societies.  Time Traveling in Ancient Art and Culture.      

REFERENCES

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Benton, J., and DiYanni, R. (2008). Arts and Culture: An Introduction to the Humanities. London: Prentice Hall.

English-e-corner. (N.D). Early American Literature (17th – 18th centuries).  English-e-       corner.com Retrieved on Feb 21, 2013 from

Fowowe, M. (1984). Yoruba Traditional Art: Symbolism and Interpretation. Marilyn         Zurmuehlen Working Papers in Art Education, Vol. 3, Iss 1, p. 25-30. Retrieved on Feb   21, 2013 from http://ir.uiowa.edu/cgi/viewcontent.cgi?article=1075&context=mzwp

Indiana. (1995). Shaping: The Blacksmith. Indiana.edu Retrieved on Feb 21, 2013 from              http://www.fa.indiana.edu/~conner/yoruba/blacksmith.html

Oakes, L. (2003). Ancient Egypt: An illustrated reference to the myths, religions, pyramids and      temples of the land of the pharaohs, 1st edition. Lyndhurst, NJ: Barnes and Noble Press.

Ringe, D. (1999). Mode and Meaning in “The Last of the Mohicans”. In W. M.Verhoeven (ed.):    James Fenimore Cooper: New Historical and Literary Contexts. New York: Rodopi.

Touregypt. (2012). Egypt Travel – Aswan: The Temple of Horus at Edfu (Idfu). Touregypt.net      Retrieved on Feb 21, 2013 from http://www.touregypt.net/edfut.htm